Max Fleischer Movies

Crime strikes the vegetable world when Mrs. Mama Carrot awakens and finds her children have been carrot-napped. She summons the Irish-Potato Police...

Ko-Ko Song Car-Tunes, Song Car-Tunes, or (some sources erroneously say) Sound Car-Tunes, is a series of short three-minute animated films produced by...

Swee'pea is crying, so Olive calls on Popeye to cheer the baby up. Popeye and Bluto compete by doing various silly antics.

Ko-Ko the Clown visits the country.

Leonard Maltin tells about the Fleischer Studio between featuring assorted cartoons from the Fleischers.

Ko-Ko the Clown is brought to life with a needle and thread.

Olive Oyl's screenplay for an Aladdin movie comes to life and Popeye battles for control of a genie in this, the last of the three Popeye color films.

Max Fleischer draws a clown, who comes alive on the page. The clown doesn't like the way he is drawn and demonstrates his own artistic abilities.

Popeye skates over to Olive's house to give her a Christmas present: ice skates of her own. While he's teaching her, Bluto skates up and gets fresh;...

Popeye and Bluto run adjoining (and competing) fire companies. When Olive's huge house catches fire, they are soon more interested in fighting each...

Olive sends a farewell letter to Popeye: She's over sailors; it's cowboys for her; she's gone out west, to Bar None Ranch. Popeye immediately travels...

Olive Oyl brings her new pet goldfish onto Popeye's ship, but the fish jumps out of its bowl and into the sea. Olive pressures Popeye to go after it.

Popeye is trying to take a nap, but he's plagued by house flies that keep landing on him. He gets rid of most of them, but one in particular seems...

Max draws a tattoo of a cat on his coworker, and Fitz chases the cat around when the tattoo comes to life.

Ko-Ko convinces the animator to draw him a woman, but she turns out to be scrawny and ugly. He takes her to a beauty parlor and plumps her up, then...

Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.

A behind-the-scenes documentary hosted by Joanna Cassidy on the making of Who Framed Roger Rabbit.

Betty Boop and Freddie appear on stage in a melodrama, wherein Betty sings the title song to the villain.

In this 1925 Out of the Inkwell short, Ko-Ko the Clown becomes a barber. As usual, he eventually escapes the animated world for the "real." He hides...

An early animated Song Car-Tune from the Fleischer Studios.